WRITING

Books
Gigliotti, C. (Ed.). (2009) Leonardo's Choice: Genetic technologies and animals. Dorchedt: Springer.

Book Chapters

Gigliotti, Carol. (2015) “The Struggle for Compassion and Justice through Critical Animal Studies.” In The Oxford Handbook Of Animal Studies, edited by Linda Kaloff. Oxford University Press, in press.

Gigliotti, C. (2011) “Animals and the Creative Arts.” in  (Ed.) Margo DeMello. An Introduction to Human-Animal Studies. New York: Columbia University Press.

Gigliotti, C. (2008). "Leonardo's Choice: the ethics of artists working with genetic
technologies." Reprinted in Gill, Satinder (ed.) Cognition, Communication and
Interaction: Transdisciplinary Perspectives on Interactive Technology
. London: Springer Verlag, 536-548.

Gigliotti, C. (2008) "Sustaining Creativity and the Loss of the Wild" In M. Alexenberg (Ed.) Educating Artists in a Digital Age: Learning at the Intersections of Art, Science,Technology and Culture. Bristol, UK: Intellect Press/Chicago: University ofChicago Press.

Gigliotti, C. (2002) "What is Consciousness for?" Colin Beardon and Lone Malmborg (eds.) Digital Creativity: A Reader. Innovations in Art and Design. Swets & Zetlinger.

Gigliotti, C. (1999) "The Ethical Life of the Digital Aesthetic." P. Lunenfeld, (Ed.) The
Digital Dialectic: New Essays on New Media
. Cambridge, Massachusetts: The MIT
Press.

Gigliotti, C. (1997) "What is Consciousness For?" In R. Ascott (Ed.) Reframing Consciousness. Intellect Books: Exeter, England. 277-281.

Gigliotti, C. (1997) "Aesthetics of Interactive Technology." In D. Gregory (Ed.) New
technologies and Art Education
, Reston, Virginia: NAEA.

Journal Special Issues and Essays

Gigliotti, Carol, “Animal | Artist: review of Steve Baker’s Artist | Animal” Humanamalia:
a journal of human-animal interface studies. 6: 1 (Fall 2014).
<http://www.depauw.edu/humanimalia>

Gigliotti, Carol, “Animal | Artist: review of Steve Baker’s Artist | Animal” Humanamalia:
a journal of human-animal interface studies. 6: 1 (Fall 2014).
http://www.depauw.edu/humanimalia/

Gigliotti, C. (2012) “Animal Influence.” Antennae: the Journal of Nature in the Visual Culture. 21 (Summer). 5-16.

Gigliotti, C. (2010) "Heartburn: Indigestion, Contention and Animals in Contemporary Art." Antennae:the Journal of Nature in Visual Culture. 10 (Fall): 25-34.

Gigliotti, C. (2009) "Artificial Life and the Lives of the Non-human (updated version)." Antennae:the Journal of Nature in Visual Culture. 9 (Spring): 17-22.

Gigliotti, C. (2006) (Ed.). "Special Issue: Genetic Technologies and Animals. AI and Society (2006) 20 (1).

Gigliotti, C. (2006) "Leonardo's Choice: the ethics of artists working with genetic technologies." In C. Gigliotti, (Ed.) Special Issue: Genetic Technologies and Animals. AI and Society 20(10): 22-34.

Baker, S. and Gigliotti, C. (2006) "We have always been transgenic: a dialogue." In C. Gigliotti, (Ed.) Special Issue: Genetic Technologies and Animals. AI and Society 20 (1): 35-48.

Gigliotti, C. (2005) "Artificial Life and the Lives of the Non-human" Parachute 119: 06 (05): 69-83.

Gigliotti, C. (2003) "Women and Aesthetics of New Media." trAce Online Writing Center http://tracearchive.ntu.ac.uk/Opinion/index.cfm?article=71 (20 June/2003).

Gigliotti, C. (2002) "Reverie, Osmose and Ephemere; Carol Gigliotti interviews Char Davies." n. paradoxa 9:(Eco)Logical, 64-73.

Gigliotti, C. (2001) "The Challenge of the Technological Future and the Arts." Art Education
Policy Review
, January.

Gigliotti, C. (1998). "Bridge To, Bridge From: The Arts, Education and Technology." Leonardo: Journal of the International Society for the Arts, Sciences and Technology 31(2): 87-92.

Gigliotti, C. (1998). "What is Consciousness For?" Digital Creativity 9(1), 33-37. Gigliotti, C. (1995) "Aesthetics of a Virtual World." Leonardo: Journal of the International Society for the Arts, Sciences and technology. 28 (4): 289-297.

Gigliotti, C. (1992). "VR, or the Modern Frankenstein." Interface, 4(2).

Catalog Essays

Gigliotti, C. (2005) "Shifting Vision: the importance of metaphor in the recent work of M. Simon Levin." In C.H.A.R.T.: Catalogue for the Exhibition. Surrey Art Gallery, Surrey, BC, Canada.

Gigliotti, C. (2001) "Gigliotti/Laiwan/Cutler: Cyberplace" K. Henry, (ed.) Art is All Over. (Emily Carr Institute of Art and Design).

Gigliotti, C. (2001) "The Prerogative to Change Our Minds: The Work of Nancy Paterson" in L.Davison (Ed.) Nature: Autobiographies in New Media by Nancy Paterson SAG Publications: Surrey, BC.

Gigliotti, C. (1995) "The Values of Perception." Catalogue essay for the 1995 tri-site ACCAD exhibit The Processing of Perception. Wexner Center for the Arts, Martin Luther King Arts Complex, and the Center of Science and Industry, Columbus, Ohio. Also on CD-ROM. Columbus, Ohio: ACCAD/OSU.

Gigliotti, C. (1994) "The Wisdom of Purpose." Catalogue essay for Softworlds 2.1: The Imperial Message. Wexner Center for the Arts: Columbus, OH

Published Proceedings

Gigliotti, C. (1998) The Diverse Meanings of Artificial Life. Proceedings of ISEA97: International Symposium on Electronic Art, The Art Institute of Chicago, Chicago, Illinois.

Gigliotti, C. (1997) "What is Consciousness For?" In R. Ascott (Ed.) Proceedings of Consciousness Reframed:First International CAiiA (Centre for Advanced Inquiry in the Interactive Arts) Research Conference. University of Wales College, Newport. 89-95.

Gigliotti, C. (1997). Bridge To, Bridge from: Arts, education and technology. Proceedings of ISEA96: International Symposium on Electronic Art, Rotterdam, The Netherlands. 73-75.

Gigliotti, C. (1996) Ed., "Critical Essays of The Bridge SIGGRAPH96 Art Show" in Visual Proceedings of the Art and Interdisciplinary Programs of SIGGRAPH96. [Computer Graphics Annual Conference Series] New York: ACM SIGGRAPH.

Gigliotti, C. (1996) "The Bridge". In Critical Essays, Visual Proceedings: The Art and Interdisciplinary programs of SIGGRAPH 96. New York: ACM SIGGRAPH.

Gigliotti, C. (1995) " Gender and Technology: what problem?" In University of Montreal (Ed.). Proceedings of the ISEA95 Montreal the Sixth International Symposium on Electronic Art Montreal: University of Montreal.

Gigliotti, C. (1994) " What Animals and Children Know That We Don't." In M. Tarka (Ed.). Proceedings of the Fifth International Symposium for Electronic Art 94, Helsinki, Finland: University of Art and Design, UIAH.

Published Abstracts/ Dissertation

Gigliotti, C. (1999), "The Aesthetics of Virtual Environments and Our Place in Nature." Abstracts 1999: College Art Associations' 87th Annual Conference, Los Angeles, California, 74.

Gigliotti, C. (1998) "The Metaphoric Environment of Art and Technology." Abstracts of Consciousness Reframed: Second International CAiiA (Centre for Advanced Inquiry in the Interactive Arts) Research Conference. University of Wales College, Newport. 22.

Gigliotti, C. (1993) Aesthetics of a Virtual World: Ethical Issues in Interactive Technological Design. (Doctoral dissertation, The Ohio State University, 1993). Dissertation Abstracts International.

 

  • The essay "Animal Influence", introduces the ANIMAL INFLUENCE double issue of ANTENNAE: Journal of Nature in the Visual Art documenting and reflecting on the Interactive Futures11: Animal Influence Conference, Exhibitions, Screenings and Performances at ECUAD in November 2011. The first issue, Issue 21, Summer 2012 may be found here.
  • Interview with Marc Bekoff, Keynote Speaker at Interactive Futures11: Animal Influence, Antennae:Journal of Nature in Visual Art, Issue 21, Summer, 2012. (forthcoming).
  • Guest Curator, Interactive Futures11: Animal Influence. Conference, exhibtions, screenings and performances. ECUAD, Vancouver, BC. Nov 17-19.
  • Gigliotti, C. " Heartburn: Indigestion, Contention and Animals in Contemproary Art." Antennnae: Journal of Nature in Visual Culture. 14/Autumn 2010, 25-33.
  • Moderator, "Non Linear Story Telling" The International Digital Media Arts Association Conference 2010 Vancouver, BC. Nov 4-6.
  • "Animals and Art" Department of Art, University of California, Santa Barbara. April 29, 2010.
  • "Placing the Human: Roundtable with Phiip Beesley, Char Davies, Carol Gigliotti, and Jeff Malpas" Jackman Humanities Institute, University of Toronto. March 26, 2010.

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